The term usually refers to artistic objects that traditionally was used by a Chinese scholar in his studio but includes everything from tables, screens and chairs to the smaller objects found on the scholar`s desk.
The material used for the artistic objects varied greatly, from bamboo to stone, ivory, wood and metal, but ceramics were by far the most commonly used material, even though ceramics rated lowest in ranking of importance. Bamboo, ivory or wood might not be durable enough and metal was sometimes too heavy, but ceramic objects could be thrown or moulded in to an infinite variety of forms.
Most of the objects made centered around the functions of writing and painting. Brush pots of different sizes and shape were needed to hold the various types of brushes, the same applies to brush rests. Water droppers for adding water to dry solid ink when it was ground on an ink stones, as well as the ink stones themselves were all needed, as were water-pots and brush washers, all of these could be made of porcelain. Wrist rests, paper weights and seals themselves as well as seal paste boxes also belongs to this group.
But these were not merely functional items, some conveyed symbolic mean, often enhancing scholarly virtues and the wish for longevity. Small garden stones, intriguingly made jade or stone objects, root and wood carvings occurs as well as various kinds of miniatures. All were meant to inspire the writer, poet and artist but could also exhibit a sense of humor.
Of porcelain pieces for the scholar's table, the badama or 'the eight classic shapes', have a special standing. Since the actual number of shapes eventually were more than eight, it is likely that the name "eight" was used here as a honorific label.
Objects for the scholar`s desk were made out of many different ceramic bodies, during the Song Dynasty (960-1279) Qingbai porcelain was most frequently used, often in moulded form but by the late 17th and early 18th century biscuit porcelain with coloured glazes such as green, aubergine or turquoise were popular. It appears highly likely some of these objects were shipped to Europe at the time, especially France and were they were seen as whimsical novelties divorced from their true scholarly function